Kevin Midgley: Links

Satronen Sound: This is Peter Nenorta's site. Specializing in live recording.
WMPG: My favorite radio station. Streams on the web if you are out of reach. Lots of great programs here. Requests can be made by email. Find your way through the schedule - there is something for everyone there!
Wet Paint Studios: Lori Rae Palumbo's website - see the artwork and the music April 6th at Slainte,
Champart: Elizabeth Fraser's site. She and Lori are sharing space at Slainte...see you there Apr.6th
The Mutineers: Southern Maine string band and musical kindred spirits.
http://www.myspace.com/poorvalleysalvationsociety: Gospel music for folks that ain't all that churchy.
http://www.willardgrantconspiracy.com: Robert Fisher's great band, a favorite in Europe along with some vin du pays, a baguette, and perhaps a galoise. I think playing as a duo on this date. Robert lived in Portland, during the bad old days.
http://bulletinboard.mainetoday.com/subcat.html?subcat=entloc: I try to post dates and some oddball commentary on this site. Look for it.
Acoustic Coffee: Calendar of events and links to the stars. Acoustic coffee offers vegetarian and vegan cuisine, coffees and teas, desserts, beer and wine, and a home for original art, music and spoken word.
Chicky's Fine Diner: Not far from the bustle of the big city, in a retro diner meets new millenia practicality setting, Chicky and Blake support local roots music and national acts. Just don't bring up the lost mitten thing...
Sweet Leaves Teahouse: Jessica Gorton's inspired addition to the Brunswick scene features a long list of teas traditional, herbal, and otherwise, reasonably priced and delicious entrees and desserts, and carefully chosen wine and beers. Tuesday night open mike, music sporadically on the weekends (best to check) and live jazz brunch on Sundays,
vimeo: A video, posted by Chris Darling, of Stuart MacDonald and Jeff Trippe, of the Mutineers, with yours truly assisting, at the Portland booksigning of the new Steve Goodman book, Facing the Music, by Clay Eals.